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The Bard vs Artificial Intelligence

By Don Kenton Henry

*PHOTOS ARE OF “THE BARD”, ARTIFICIAL INTELLIGENCE, AKA “BART”, AND IMPARTIAL JUDGE

Every child has their heroes. For many, it’s a sports figure. In that context, mine was Jim Thorpe, “Indian Athlete”. Today, you couldn’t even call him that. I’m certain, if alive, Jim would say, “Piss off. I can handle it.” But mostly, I read books about geniuses. They fascinated me. My favorite biography was of Thomas Edison, “The Wizard of Menlo Park”. While my brother read Hardy Boy Mysteries, and my sister, Nancy Drew, “Girl Detective – I collected the entire series of Tom Swift books. They were about a boy scientist whose multi-millionaire father financed his incredible scientific inventions which took him into deep space or the center of the earth on some fantastic adventure. He was what I imagine Elon Musk’s childhood would have been had he had millions of his father’s dollars at his disposal. 

While I’m on the subject of Elon Musk, he appeared the last two evenings on Foxe’s Tucker Carlson for an in-depth interview on the subject of Artificial lntelligence (AI). It’s in all the news of late and I am fascinated by it. Elon’s focus was to address the risks he feels it poses to humankind.

I am more interested in its potential usefulness. I go by “The Bard”, on my creative writing blog, thebardofthewoods.com. Of course, if you are on it now, you know that. For years, I have wanted to ultimately ally myself with an artist to create sketches to illustrate my poems and short stories. I have not been aggressive in this pursuit as I am not yet ready to publish and am avoiding any expense in commissioning an artist, for this purpose, until then. But when I heard AI could create artwork, in the style of the great masters, based on my instructions—at little or no cost to me—I had to give it a try. The results were interesting but fairly crude and awkward. It seems the edge of my imagination extended further than AI is capable of going (at this time).
But then, Elon said AI could write poetry and that it was pretty good. And added that is something the average person couldn’t do. Well … I took that as a personal affront and a challenge. I thought, “My ego is really going to take a beating if AI can write a better poem than me”. So I went to AI app, ChatGPT and issued the challenge to write two poems (prose or otherwise) with one minor variation between the two. 

I thought if my AI is going to become The Bard’s competition, he (I decided my AI identifies as a “he”) should have a name. I initially considered, “The Barf” but decided that was disrespectful when I haven’t even given him a chance. So, I settled on, “Bart”. The sketch which accompanies the photos of Elon and me is Bart. Now that he had a name, I determined he deserved a face. So I asked DALLE-E2 to create a picture of AI as a human being. I did not dictate gender (which indicates AI may already be gender biased). The sketch shows Bart at work at his desk, trying to out-do The Bard.
So this is how it went down between Bart and The Bard. I let him go first: 

Challenge 1 to Bart: write a poem about a love lost (in general)

Bart’s Opus 1

Love once bloomed, a tender flower bright, A flame that burned with passionate delight, Two hearts entwined, a perfect harmony, A bond so strong, it seemed eternity.
But fate can twist and turn, and hearts can change, Love once so pure can slowly rearrange, What once was perfect now feels so wrong, Two hearts that beat as one, now singing different songs.
The love that once lit up the darkest night, Is now a fading ember, a distant light, Memories of what was, now haunting ghosts, A love that's lost, a treasure turned to toast.
The pain of love lost, a heavy burden to bear, A weight that feels too much, too hard to share, The tears that fall, a bitter-sweet release, A love that's gone, a heart that's now at peace.
Love lost, a lesson learned, a chance to grow, A chance to find love anew, to let love flow, For in the pain of loss, a new hope can be found, A new love waiting, a new heart to be unbound.

The Bard’s Rebuttal Poem 1

Like Frost On A Window
By Don Kenton Henry

Your heart is a stone
Cold as one in a hearth whose fire has gone out
Long since
Your eyes have become as dark and frosted as the window in which I sit
In a home as empty as your conscience 

Echoed laughter from these walls I try to forget
With them, I share only the quiet of regret ―
They have forgotten what I cannot
And I envy all things that have no heart

Better to burn this home of dead dreams ―
Burn my dreams to the foundation
Help erase my world that once seemed
Two true hearts honest unbreakable creation

Help me, beautiful dream killer
You of broken promises 
You the unfaithful; I of lost faith

Together we can set sins and failures ablaze
And erase all memory of us, the failed
And unworthy benefactors of a love
Like a once white dove
Now charred . . .
And smoldering in ash and dust

Challenge 2 to Bart: write a poem about love lost in a subway station

Bart’s Opus Poem 2

At the station platform, he stands alone Watching the train depart, with a heavy moan 
His heart aches with a piercing pain For he knows he won't see her again
She was his love, his life, his soul Their bond was pure, their love whole 
But fate had other plans in store And she had to leave, forevermore
He remembers the way she smiled And how her laughter filled the aisle Her touch, her scent, her loving gaze All lost in a bittersweet haze
He tries to hold back the tears As memories flood his mind, his fears He wonders if she'll ever return Or if his heart will forever burn
The train disappears in the distance of the subway tunnel
Taking with it his only existence He stands there, numb, and forlorn In his heart, the love is still born
The station echoes with his pain As he slowly walks away, in the rain 
His heart still longs for her embrace But his love has left without a trace.

The Bard’s Rebuttal Poem 2

THAT’S WHEN I COME BACK
by Don Kenton Henry

In languid moments by an idle stream
In a pasture where the grass waves with green of spring
In the seconds that follow when you put down a book
In that unguarded moment you forget to look
Over your shoulder and watch for me
That’s when I come back

In that subway where we last kissed goodbye
In that four-poster bed where we used to lie
In the park where you watch a small child play
And her hair is red and her eyes stare back
As if she knows she could be yours
That’s when I come back

When the winds blow from out of the mountains
And bring the leaves of autumn tumbling down
And you kick them and watch as they slowly spin round
And you see yourself in them and know your time’s passed
And you desperately wish for another undeserved chance
That’s when I come back

When you look in the mirror and see the lines on your face
When your heart cries for company and you reflect on what’s lost
And your misspent youth and all that it cost
When you think of the years that we could have had
As you hear my words when I asked you to stay
And you reach to stop your young self as you walk away
That’s when I come back

And you remember a love you thought you’d find again
But it was not to be found in that autumn wind
Nor in the grass of the pasture or by idle streams
Not in languid moments or among crowds in the streets
In subways or parks or the eyes of young children
You have looked as you lived
And it’s not to be found
And you remember my words when you let us down
Walked away from our life
And they ring and they echo in your ears to this day
“I gave the best I could give you, all you could want
And the day will come when you awake in the night
Sit straight up in your bed and the cold of your sweat
You will know the best thing in your life has been replaced with regret”
That’s when you will know the stark truth as it stares back from the night . . .
I’m not really there
I haven’t been since I cried by that subway track
I’m just your heart’s memory
I’m not ever coming back

********************************************************************************************************

In summary, I must give credit where due. Bart represented himself better than I expected. And he had none of my life experiences to draw upon. (Or did he? Yikes!) I will let you be the judge of whose work you prefer. And I will close by saying, I will never let Bard’s words substitute for my own. (Although I may ask his opinion from time to time. Like, “How much will I have to pay a freelance artist to create an illustration to go with this?”) I rue the day when Bart thinks he feels hurt, anger, jealousy, or the need for retribution. It is then we will want to be certain we have a plug we can pull before Bart can act, against all humankind, on his emotions.

The Bard
https://BardOfTheWoods.com

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SNAKE VENOM TRAIL RIDE IV or

“Buck Wild” Gets His Mojo Back Montage

By Don Kenton Henry Donald Kenton Henry

Wanderlust. It is a condition most suffer from on occasion. For others, it is a thirst never quenched. I find myself among the latter.

From time to time, I assuage that smoldering urge (on the verge of bursting flame) with the only thing close to a cure. That is to put shoe leather or tire to the road, airplane wing to the sky, or … relative to my most recent self-prescribed remedy me … two tires on 850 pounds of German metal with me atop flying 3 feet above concrete, asphalt, and gravel for 5,600 miles over the course of 19 days.

Said journey took me through 9 of these States United and several of my mental and physical ones. I was accompanied much of this trip by my friends Kelly Seachord and Mitzi Seachord. At the top of our trail, in the mountains of Montana, we enjoined my acquaintance (who quickly became my newfound friend) Jon Kingsley Jr. Together we toured Flathead Lake where my brothers and I first fished for trout with Zebco poles next to the postal truck my dad converted into an RV. I never forgot the crystal clear blue waters of that lake and I happily say they remain as clear today.

The following day, we rendezvoused, again with Jon, at his campsite in Whitefish, to tour the Grand Teton National Park northeast of Kalispell.

Like all great journeys, it had its up and downs. Along the way, I was led astray by a wayward GPS system which had me traveling on about 10 miles of dirt and gravel road, somewhere in Colorado or both (I’m not sure which anymore than my GPS) heading east when I should have been on blacktop heading west. I endured over 100-degree heat for 8 to 10 hours a day when, eventually, no amount of fluid consumption would quench my thirst. I slept on a picnic table because I could not stay awake traveling 75 mph on a motorcycle. Inhaling the dust of multiple states gave me a mild sinus infection which precipitated a mild case of bronchitis thrown only by two subsequent nights of sweats which soaked the sheets and pillows of my hotel beds in both Deadwood South Dakota and Cody Wyoming. I am confident the maids changed those linens and probably entered the bathroom expecting to find a deceased guest. Thankfully, my strong immune system prevailed and I shook that off long enough to endure a fall (not on the motorcycle) which left me with a sprained (but not torn) left Achilles tendon and calf muscle. I’m still too embarrassed to elaborate on it. Let’s just say, “Once again, The Phoenix rises from the dust.”

I saw big horn sheep, elk, wild turkeys, hares, and antelope. Flatlander that I am, I saw mountains that made me feel set free yet, at the same time . . . infinitesimally small. I saw rivers, creeks, and waterfalls where many a Native American, trapper, frontiersman, pioneer, settler, and homesteader satisfied his thirst and that of his mounts, mules, and oxen as he made his way west or … tapped in his best effort to water the parched ground of the plains he staked. This in a brave, and too often failed, attempt to grow food with which to sustain his family through the harsh and unforgiving winters.

I saw at least one modern-day traveler meet his or her end in what seemed a much less romantic and, at the same time, unnecessary manner.

Headed home, descending from the northernmost region of Montana to the plains below, I ran parallel to a river tumbling through mountain boulders adjacent to a railroad track backed by majestic mountains. These beneath the canopy of a robin’s egg blue sky and white billowy clouds. A BNSF engine pulled freight cars down the decline and, as I imagined pulling all that steel from inside that locomotive, that engineer must have been looking out at me imagining the freedom of breaking free of those tracks and his duty to his employer. I am certain he was wondering what it would be like to go wherever his own wanderlust took him. I spied him spying me, took my hand off the motorcycle throttle, and, while looking straight at his distant eyes, jacked my arm three times with my fist to the sky. I swear I could see him smile from 400 yards and I know he saw me smile back as 3 times he lay a long, not so lonesome, blast on that locomotive’s horn. It was a simple but special moment on the beginning end of an epic and successful trip to get my mojo back.

I leave you with this montage of images I captured along the way accompanied by songs that express my love of this great nation and the ever-recurring drive to see what lies over the next mountain or across the next river, prairie, or plateau. You don’t have to like me and you don’t have to like motorcycles. But if you love this country of ours, as I do, you will, hopefully, appreciate my humble efforts to provide you a glimpse of what life and nature granted me along the path I took to end another summer and wanderlust almost . . . but not quite past.

The Bard

https://bardofthewoods.com

(please click on the youtube link and title below)

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The Loom of Life and Raveled Love

by Don Kenton Henry

The Loom of Life and Raveled Love
 
by Don Kenton Henry                                  

Born into one small seam in the fabric of time and space
With no control over entry and little over exit
We are either weavers or woven
into lives of hapless random chaos . . . or somewhat chosen orchestrated grace

And along the way are the distractions and detractors
Which pull and tear at the occasional thread of frailty we expose
As well as those who guide our needle and lead us forward
Tireless faithful supporters and benefactors who are more poetry than prose

I count you among the two
I count you among the few
Who were there
A face among now faceless names
Forgotten in the wake of another seam you sewed in the
Tapestry of my life of happiness and inevitable graceless pain

But this is about me
Not you
It is my task to keep life’s loom at work
Weaving as though my shuttle were a ship a-sail across a sometimes placid
Sometimes tempestuous unforgiving sea

And in these hours of unavoidable sometimes regrettable reflection
I find the weight of transgressions against me less than my own acts worthy of repentance and confession
I find the price of self-forgiveness
Greater than the cost of forgiving others
And unconditional love is seemingly the blessing of only mothers

All the rest seem mortgagees
Fleeting passing lovers
Contracted for payment owed with interest due
But . . . then again . . . this isn’t about you

So I continue weaving my cloak with which to drape
the shoulders of my life
I still aspire it be a thing of beauty
Made more of give and less of take
One thread for births
Another deaths
One for marriage
Another divorce
One for sickness
Another healing
It will hang upon the wall of my family’s house
A source of pride for grandsons and for daughters
A testimony that unconditional love is also bestowed by fathers

And over that myriad of threads may family run their fingers when I am gone
And feel passion joy mirth and song
May they know among those threads is one or more from each of them
May they know they played a part
Their laughter, tears
Their smiles
Their fears . . . became a thread
And so entwined became my own
Woven into the cloth which made my life
And when they pull it close and touch their cheek against it
May they smell the scent of my sweat and my cologne
May they feel all the memories I have known
And know amongst them you too are sewn

And surely beautiful that garment will be
And not the least thread of which will be the gift of you to me
Raveled in are days of you now gone
That unmistakable seam where love left off and life led on

But oh, yes
Sometimes I forget . . .
This isn’t about you . . .
It’s about what a treasure life’s journey and living can be
 
https://bardofthewoods.com
https://healthandmedicareinsurance.com
https://thewoodlandstxhealthinsurance.com
https://allplanhealthinsurance.com





			
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Hope

By Don Kenton Henry

Hope is not a thing that begins as I slip from my bed and my feet touch the ground. Neither is it found on my stoop as I exit my front door.

Down my path, a winding one at that, I course . . . sometimes stumbling, sometimes falling in the face of some new challenge each day so unselfishly offers.

Seems no matter my destination, my writing always leads me through the desert to the brink of a cliff.

Hope is not something I pull from the depths of the valley below. It is a glider, dear reader, I ride to the green and verdant valley below.

There, I catch a canoe down a blue river to a new sunrise.

Hope has delivered me another chapter. Another day.

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Plowboy Manifesto

PLOWBOY MANIFESTO
By Don Kenton Henry

I was born on a farm in northern Indiana
I’m a tractor ridin’ white boy way north of Texarkana
Flag and country come first, and this heah dirt
Don’t come and tell me how to vote, don’t tell me how to work
A fighter always fights, and a runner’s gonna run
Don’t come and mess with me, unless you bring your gun

Outta my face you milk toast city slicker
I’ll make you see, I’m a whole quicker
Than your slick talkin’ lawyer with his hand on his subpoena
He’s gonna leave without it when he steps in my arena
Now tell yo momma, that this one is the best one
You didn’t even know that you was messin’ with a vetran

Help those that are weak, keep plantin’ the seed
Of the freedom we know , of the words of our creed
I fight for what’s mine, I give sweat for my toil
Before this is over, I’ll give blood for this soil
Might don’t make right, but truth is never wrong
The facts speak for me, I’m a warrior with a song

Outta my face you milk toast city slicker
I’ll make you see, I’m a whole quicker
Than your slick talkin’ lawyer with his hand on his subpoena
He’s gonna leave without it when he steps in my arena
Now tell yo momma, that this one is the best one
You didn’t even know that you was messin’ with a vetran

You come on to my land, well you gotta a lot of sand
To talk of stealin’, to talk about takin’
What my family built, a hundred years they been a makin’
You say you represent the Feds, I see you dancin’ with the dead
Preachin’ Eminent Domain, you must be insane
I’ll show you how it’s done, you’ll take a bullet for my pain

Outta my face you milk toast city slicker
I’ll make you see, I’m a whole quicker
Than your slick talkin’ lawyer with his hand on his subpoena
He’s gonna leave without it when he steps in my arena
Now tell yo momma, that this one is the best one
You didn’t even know that you was messin’ with a vetran

Don’t come on my farm, don’t come on my land
You pushed me far enough, this is where I make my stand
First you bled me with your taxes, now come your regulations
You pegged me as a sucker, but I’m the backbone of this nation
You want my twelve year old boy to punch a time clock – and if that don’t beat all
You want him workin’ the fields, a carryin’ a parasol

Bad Dog Bo Duke will have your arm if you step into my barn
Don’t put one foot forward, I’ve sounded the alarm
Now lookie what’s a comin’ up out of the bog
Arnold ain’t just a pig – he’s a genuine attack Hog
I see you shakin’ and I would too
He’s 400 pounds of angry bacon and he’s a comin’ for you
Sooie, Arnold – get the guy in the suit

Now you’ve done it city boy, here come the troops
It seems your chickens have come home to roost
That there is my brothers –
Your kind won’t ever find you, you’ll be lost like all the others
Jeb and Bodine, they ain’t as nice as me
For you know it you’ll be swingin’ from a tree   

But sometimes you be lucky, just be happy Mister You didn’t even get a chance to meet my baby sister Six foot three she’s a barbed wire twister A Roller Derby Queen a down in New Orleans – she’ll pop you like a blister No man has ever whipped her – hell – none’s ever even kissed her

We raise soy beans here, and the pigs are gonna stay
You ain’t puttin in no wind farm with the people’s pay
A government think tank, where once there was a barn
I say that is an ox, and you’re a moron
This here is straw, and that there’s grass
This is my boot, it’s a comin’ for yo ass

Hey there carpetbagger, we’re not takin’ that loss
Now you been around here, you know you’re talkin’ to the boss
So let me give it to you straight, get out through the gate
Leave while you can, this is the end o’ yo plan

Outta my face you milk toast city slicker
I’ll make you see, I’m a whole quicker
Than your slick talkin’ lawyer with his hand on his subpoena
He’s gonna leave without it when he steps in my arena
Now tell your momma, that this one is the best one
You didn’t even know that you was MESSIN’ . . . WITH . . . A . . . VETRAN!
Soooie!!!

                                 

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Bass Reeves U.S. Marshal . . . Commanche Territory

“Waaa waaa wa!”

By Don Kenton Henry

He rode high in the saddle on his seventeen-hands tall black stallion, Lincoln, as he came out of the chaparral into the dry gulch. The silver conchos on his hatband bounced the sun’s rays onto the red rock cliffs of the ravine while his eyes remained fixed on the path ahead. His buckskins concealed that every inch of his six-foot-four frame was crisscrossed and wrapped in a barbed-wire taut web of ebony muscle and scars. They hid the tale of the whip and chains from which he’d won his freedom with the end of the war. A Colt Dragoon he had taken from a Confederate soldier was holstered on his side. Now no man was his master. His chiseled face glistened like an onyx statue in the scorching Texas sun.

He noticed a twitch of Lincoln’s ears and saw they turned back toward some sound behind them. He turned in his saddle to see three Comanche braves on his trail. One raised a rifle, and the chase was on. He spurred his horse through the creek bed looking for an exit onto the flats where he thought the half of Lincoln’s blood which was thoroughbred would allow the stallion to outrun the surer-footed Indian ponies. There was a path up through the rocks and he took it at a full gallop when Lincoln stumbled, fell, and rolled back over him into the red silt of the bed. When the horse rose it was on three legs, the other raised in the air. The warriors were bearing down on them. In one swift movement, Bass pulled his Henry repeating rifle from its scabbard, shot Lincoln in the head, and took cover behind him as the horse landed in the shadow of the two of them. A shot from the Henry hit the first warrior square in the chest blowing him backward off his steed. He jacked the lever of the Henry and put another 45 in the chamber before it took out the second. Before he could sight the third, a war lance whizzed past his ear and penetrated the clay behind him. A moment later the lone brave dove from his pony and came down on Bass knife in hand. Bass pulled his Colt from its holster with one hand as his other caught the knife hand of the Indian. One shot against the ribs blew a hole in the red man through which you could see half of Texas.

He reloaded both guns, took the saddle off Lincoln, threw it over his shoulder, and walked up out of the gulch into the flats. It would be a long walk to Abilene if he couldn’t find one of those Indian ponies. That was one damn fine horse he thought as he turned and gazed at the spot below where the buzzards were already circling. “You saved my life one last time, you big black stud,” he said as he gave a nod and a small tug on the brim of his hat before turning back into the setting sun. He shook his head. He couldn’t believe he had shot Lincoln.

Now that you know him – you won’t forget him! He’s black … he’s back … he wears chaps … and he’s badder than ever! He was long before “Shaft”! He’s one bad Mandingo Cowboy! He’s Bass. Bass Reeves … And he’s coming soon to a theater near you!
(Waaa waaa wa!!!!)

https://bardofthewoods.com

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Pride

“I’m a prideful son-of-a-bitch, I’ll admit that. I’ll gladly meet you half way to love you like you’ve never been loved before. . . .  But I’ll be damned if I’ll cross a bridge to kiss your ass.” – The Bard

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Advice From “Uncle Waldo On My Front Porch”

“The most defining moments in one’s life are his birth. And his death. In between, what counts the most are not his wins. Or his losses. But the opportunities he took. And the ones he passed on. The girls he kissed. And the ones he wishes he had. May you live it all and regret the none of it, Junior.” – advice from “Uncle Waldo On My Front Porch”

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COUNT THE BRAVE AND NOBLE KINDRED

 

 

 

 

 

 

 

By Don Kenton Henry

 

It is to the soul as the sun is to light

It is as steel

It is as clay

It is as diamonds

It is hardened by the fire in the furnace of life

As steel, clay, and diamonds are tempered and cured

So too is character

Steel and clay, by fire

Diamonds by pressure from eons of the physical remains of lives past bearing down

Character by choices in one’s own life pressed upon us

Forged by life’s trials not averted but endured

The value of all these things are unknown until tested

Integrity is not haphazard

Under fire and pressure, all hold fast or fracture

And yet―unlike the others―with no existence outside their physical

boundaries . . . your character cannot be touched or held in one’s hand

Rather, it touches all those with whom you are intimately connected

 

Character begins like the virgin diamond

Raw and uncut, encumbered by worthless stone

Then life chisels and hammers and chips away

And either temptations and indiscretions fall aside

Revealing uncompromising clarity

Or the diamond breaks and becomes as worthless as the rock

which held it

So too is character honed to something pure or as worthless as the weakness

from which it cannot break free

Will it be a casualty of truth

Can the Blacksmith separate the metal from the dross; the steel from the slag

Can the Potter separate the clay from the sod

The Miller, the wheat kernel from the chaff

And you, your character from transgressions

 

Under the glass, most have at least a hairline fault

The sword, the vase, the diamond, the soul

Yet, when the blow is struck the best, their integrity remains

When you lie down at night, can you say the same

When you lie down at night what can you say

about the life, you lived this day

 

All lives are filled with decisions large and small

Did your character meet the tests that came its way

Did you stand tall or did you fall

And when knocked down, did you rise and reenter the fray

Or keep your knee

Did your character strive to be pure

Or prove itself flawed

 

Virtuous character is not a mistress

You take a vow to it

You keep it not with flourishing―but soon forgotten―promises and a fleeting kiss

It’s measured day by day but judged in full at the end of a life lived

It does not need to be informed of infidelity

It is the first to know

Character follows life through the exit

It’s the last to go

 

The truest test of character is to do the right thing

Even when bad tidings for oneself are all it can bring

One of good character has no thought of self-preservation

Only preservation of good conscience, unwilling to yield

As belongs to one who enters the battle with no chance of victory, without hesitation

His only hope . . .

the respect of his kindred brave and noble be the shield on which they carry him from his blood stained station

Will you get in the ring with the devil or will you take a dive

When all the cards are dealt, and all the hands are played

What will you say about yourself on the last day you’re alive

 

Material things are subject to the whim of Providence and attachment by others

Virtuous character cannot be garnered by kings or thieves

It matters most to our fathers, sons, daughters, brothers, and mothers

It is owned in lesser portions by masters than by slaves

It is irrevocable except by abdication

It is held in sacred trust by knights and coveted by knaves

 

Your character is the tree; the shadow it casts―your reputation

A life well lived―or not―is the sun illuminating the first

Which creates the latter

A subjective manifestation

Sometimes accurate

Oft twisted and distorted by others . . . Sometimes not

Your conscience knows which

 

All sin

All stumble

But the noble steady themselves and seek redemption

 

Your character is the one thing you take to your grave

What will they speak of yours at the dimming of your last day

 

Let them not say, “Et tu, Brute”

Pray not a Judas

Let them say, “I stand with Spartacus”

 

 

 

 

 

 

 

 

 

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SECOND KISS (PROSE POETRY)

By Don Kenton Henry

Often I reflect on a memory I count among the better

And feel the fullness of her breasts beneath that cotton sweater

I feel the tenderness of her lips

The warmth of her breath upon my chest

All this

then some to come

under dim gymnasium lights

I recall the sweet taste of her mouth as she kissed me once more

It was the second kiss of my young life

I do not remember at what point it ended

Nothing of what transpired until then fades with time

Not a thing

Not all powers―either earthly or otherworldly―could have transcended us

Beyond innocence lost in what seemed but a dream

Wars were being fought around the world

Flags fell, then raised and unfurled

And there we were

Locked in a moment on that hardwood floor

Babies were born and old people died

In both cases, their loved ones cried

But no thought of things behind the arena’s door

A hallowed coliseum and only two of us inside

Men were in space and the world kept spinning 1,000 miles per hour

In the center of the court; in the paw of our regal school mascot; she opened up for me like a budding spring flower

Oblivious to our inexperience we were losing in the grip of first love’s spell

The tiger held the orchid

And the petals fell

Deep, below my lips

Deep in my genetic material

Herds of wildebeest crossed the Serengeti

The saber-tooth gave chase―deep, deep into her hips

Deep into the fertile jungle where she did lie

Somewhere in time, a wooly mammoth trumpeted

And some prehistoric relative of mine raised his club to the sky

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Excerpts from “A Phobia of Walls”

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